George Nader is a hoot in Lindsay Shonteff's 1967 Sumuru misadventure...
Jess Franco's 1968 Sumuru flick featured terrific costumes, a wasted George Sanders and numerous eye-catching posters."I have a million eyes, for I am Sumuru."
After finally getting a chance to see this 1967 Lindsay Shonteff (CURSE OF THE VOODOO) directed Sax Rohmer adaptation I can report that it's more entertaining and visually stylish (even in a cropped 1.33:1 poor quality print) than Jess Franco's 1968 Sumuru adaptation THE GIRL FROM RIO but has less interest in terms outre fashion design and codified genre commentary.* Both films were produced by Harry Alan Towers and bombed at the box office.
THE MILLION EYES opens with CIA Agent Nick West (George ROBOT MONSTER Nader) hijacked by British intelligence (in the person of the avuncular Wilfrid-Hyde White) and ordered to Hong Kong where he will infiltrate the world of female super-criminal Sumuru (Shirley Eaton), who owns an island undermined with high explosives and populated by a crack army of female assassins dressed in black tights. We see plenty of bare midriffs but no nudity. Boot and leather fetishists will have no complaints and watching Eaton whip a chained up Nader is camp fun of the highest order. Sumuru's dream is a world dominated by women where Love is a capital offense. That seems just fine with Nader as he takes every chance to get into a hot clutch with every Sumuru operative in reach.
Fun is the key word here. Nader, in full flight from Hollywood, was already involved in Euro espionage in his German-produced Jerry Cotton series [THE TRAP SNAPS SHUT AT MIDNIGHT] lets it all hang out here [everyone knew he was gay, but friend Rock Hudson was still deep in the Hollywood closet] as the fey, wise cracking secret agent who quips he had better in High School after getting kissed by Shirley Eaton! It's fun to watch George having a ball at Harry Alan Towers' expense. He's certainly more engaging than Richard Wyler in Franco's take. On the other hand there's the unavoidable presence of top-billed Frankie Avalon who can't act, isn't funny and looks like he needs to be back in a BEACH BLANKET BINGO movie or the Mickey Mouse club. He shouldn't be in the film at all, but I guess it wouldn't have gotten made without a "name" to sell it in the US. It didn't sell there or anywhere else, though.
No film featuring the legendary Klaus Kinski can't be without interest and here he matches Nader in tacky goofball antics by playing a double role, wearing a fright wig, smirking broadly and generally flailing wildly about as the sex-addicted Sindonesian President Boong.
Maria Rohm as cult- inductee Helga is no more necessary to the plot here as she in the Franco Sumuru film while her presence is certainly understandable given her relationship with the producer. She proved to be actress in her later Franco films, especially as Madame St. Ange in EUGENIE...THE STORY OF HER JOURNEY INTO PERVERSION (1970). She's just a pretty blonde here. More to the point are Sumuru's guard, who engage in all sorts of erotic tortures, including one who strangles a prisoner to death with her thighs. So, yes it's also more erotic than Franco's 1968 film. Of course Franco's 1987 Sumuru inspired ESCLAVAS DEL CRIMEN is another story.
John Von Kotze's compositions are quite well-arranged considering this is basically a silly spy spoof attempting to be sophisticated, a typical set-up features amazons on either side of the frame sporting Mauser machine pistols, which, conveniently enough for the prop department budget, the Hong Kong police also use during the final assault. The Shaw Brothers Hong Kong sets look interesting but their scale can't be appreciated in this presentation and it's impossible to fully evaluate a 2.35:1 Techniscope film cropped to fullscreen. I can't say that I've ever been a fan of the Canadian born Lindsay Shonteff but this does deserve an OAR DVD presentation for curiosity value if nothing else. At least it all ends with a bang as Sumuru self-destructs her island empire. No such apotheosis graced Franco's THE GIRL FROM RIO.
It should also be noted that Nader also played the hero in the 1967 Vincent Price vehicle THE HOUSE OF 1000 DOLLS, also produced by Towers.
My favorite Sumuru movie scenes are those oddly angled and lit inserts in Jess Franco's BLOOD OF FU MANCHU (1968), about which Ms. Eaton is understandably still miffed since she filmed them during THE GIRL FROM RIO shoot only to have them appear in BLOOD, for which she got no remuneration. I admit to not having read the Rohmer Sumuru novels, but I would very much like to at some point.
There is also a reportedly alternate German version of this film which I haven't seen.
*Thanks to Bill Connolly and Robert Guest for providing me with videos of this rarity.
