Showing posts with label Bruno Nicolai scores. Show all posts
Showing posts with label Bruno Nicolai scores. Show all posts
12 May, 2015
A Virgin Among the Living Dead
One of Franco's better-received efforts, A Virgin Among the Living Dead (Franco's intended title was Night of the Shooting Stars) can be described as an extremely low-budget cross between the Addams Family films and Alain Resnais' Last Year in Marienbad. Appropriately named Christina Von Blanc retains a rather blank expression during her many encounters with a family of mischievous spectres populating the baroque Monteserate castle. Franco's skilful use of wide angle lens and an occasional welcome dolly shot lends this somewhat plodding affair a unique visual identity. Nicolai's distinctive score helps liven up the bizarre proceedings another notch. Seeing Howard Vernon wearing a busy shirt while singing hymns (actually proverbs) in Latin during the strange liturgy episode is worth the price of admission alone. A Virgin Among the Living Dead is one of the few Franco projects not to be remade by the man himself in the following decades. Perhaps Jess was satisfied with the film?
Labels:
Bruno Nicolai scores,
Eurocine,
Howard Vernon,
Paul Muller
15 December, 2009
RECYCLING BRUNO NICOLAI


And you'll hear cues from this magnificent score...
Two recent discoveries: Bruno Nicolai's excellent score for the 1969 Italian war movie LA BATTAGLIA DEL DESERTO can be heard in Jess Franco's 1972 LOS AMANTES DE LA ISLA DEL DIABLO aka DEVIL'S ISLAND LOVERS (main theme & cues) His legendary score for EUGENIE...THE STORY OF HER JOURNEY INTO PERVERSION (1970), perhaps his masterwork, has some of its most recognizable cues integrated into the replacement track for FRANKENSTEIN'S BLOODY TERROR, the Sam Sherman-INDEPENDENT INTERNATIONAL US version of Paul Naschy's first Waldemar Daninsky film, LA MARCA DEL HOMBRE LOBO (1968). Watching this in the wake of Paul Naschy's passing was an especially poignant experience. Maestro Nicolai's cues were often recycled and they tend to work well wherever they are integrated. |
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