21 February, 2020



"It is clear that Kidd-- if Kidd indeed secreted this treasure, which I doubt not--it is clear that he must have had assistance in the labor. But this labor concluded, he may have thought it expedient to remove all participants in his secret. Perhaps a couple of blows with a mattock were sufficient, while the coadjutors were busy in the pit; perhaps it required a dozen--who shall tell."   Edgar Allan Poe, The Gold Bug

Moira (Lina Romay) is a sexy cabaret stripper by night and a secret agent by day. She is attempting to gain information on the Segunda Guerra Mundial, an international criminal group who are about to locate a hidden consignment of gold bars which was secreted beneath the desert during the last days of the Nazis.

Private detective Al Crosby is also on the trail of the gold and teams up with Moira. Eventually, Prof. Von Klaus provides a complex code which, when deciphered, will reveal the location. Moira is briefly captured by the opposition, tortured, and then freed by Al. They make a concerted effort to break the word puzzle, and finally succeed in locating Von Klaus's desert villa, in which there is a secret room containing the gold.

First though, the right notes have to be played on an organ which will electronically trigger the lock mechanism. It involves musical notation from a Liszt composition. When Moira performs the piece, the door opens and the treasure awaits them. The only problem is that the counter-agents have pursued them by helicopter and plan to relieve Al and Moira of their newly found fortune.

Considering the fact that Jess Franco has returned to Euro-spy genre again and again throughout his career, it would seem the genre holds a special fascination for him, as well as providing the profilic director with narrative action that functions as a necessary backdrop to his trademark erotic scenes, personal touches, visual spirals, and private jokes.

It is impossible to separate the sex from
any generic conventions at this point in Franco's career. His later Euro-spy feature DARK MISSION (1988), offers evidence that he could leave aside the obsessive focus on eroticism and make a relatively straight commercial product, but as this more personal early 80s period and his recent films show Franco is at his best when he is
allowed to be Franco.

LA NOCHE... opens with a deliriously filmed striptease by Lina Romay, performed in the driver's seat of a classic fifties American car. This all takes place in an ultra-glitzy night spot, where the sexy action is bathed in gorgeous neon hues. Lina's gyrations and Franco's camera work and lighting design seem in perfect harmony this time around, and the sequence is hypnotic.

There are many shootings, double crosses, torture sessions (one outrageously borders on a XXX level of sado-erotic intensity), exotic locales, and Lina Romay has never looked sexier. It's all so much fun, Jess Franco style. 

Inspired by Poe's "The Gold Bug" Jess Franco presents a Eurospy tinged mystery build around a secret code. As always, Franco is obsessed with secret codes in popular literature and cinema and developed his own as a filmmaker. The code in the Poe story leads adventurers to a fortune in pirated gold buried on a remote atoll. The code here is part literary, a poem, part musical, Liszt's composition, which when followed or played, open a vault of gold bars. The search for Nazi gold triggers thoughts of the gold guarding zombies in Franco's LA TUMBA DE LOS MUERTOS VIVENTES aka OASIS OF THE ZOMBIES, also filmed in the Canary Islands around the same time. But this is super sexy, light-hearted (with staggering doses of nudity, sex, erotic dancing displays) Eurospy fun all the way. 
This is not a horror film and it's one of the few Golden Films Internacional productions which is not a remake of an earlier Jess Franco film. That said, Severin Films has done another spectacular job delivering a sparkling presentation, scanned in 4K from the origina negative. The colors and definition are breathtaking. It looks delicious and has an intoxicating soundscape. Previously released on Spanish VHS (KING VIDEO), this is the film's official home video debut in North America. New English subtitles are provided for the Spanish Mono track.

Special Features include two hosted by Franco author Stephen Thrower: In the Land of Franco Part 2, a tour of multiple Franco locations; The Night of Open Jess, an interview with Thrower on the film. 

Also included is Part 2 of Donald Farmer's 1993 interview with Franco and Lina Romay during the shooting of JUNGLE OF FEAR. Fascinating stuff. 

Highly Recommended!
Robert Monell, 2020

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