Conrado San Martín Prieto (20 February 1921 – 24 April 2019)
Above: Conrado San Martin as Agent 069, in Jess Franco's LA MUERTE SILBA UN BLUES.
You have to marvel at the 75 year length of actor Conrado San Martin's film career, with over 130 film roles. He had already been acting in Spanish films for over twenty years when he appeared in two significant Jess Franco films, GRITOS EN LA NOCHE (1962), as Inspector Tanner, and in Franco's stylish Europsy/Noir LA MUERTE SILBA UN BLUES/077-OPERATION SEXY (1964), as Agent 069/Jao.
He also appeared in other Europsy films (TARGET GOLDSEVEN ), as well as Spaghetti Westerns directed by Sergio Leone (ONCE UPON A TIME IN THE WEST; DUCK, YOU SUCKER) and others (IN A COLT'S SHADOW). He also appeared later in his career in Jose Ramon Larraz's US shot horror film, THE EDGE OF THE AX (1988) and the Spanish remake of VAMPYRES (2015). A reliable actor, certainly better known in Spain than in North America. He's especially effective as the persistent inspector in GRITOS EN LA NOCHE and the manipulative villain in Sergio Leone's peplum spectacular THE COLOSSUS OF RHODES (1961).
(C) Robert Monell, 2019
Above: Conrado San Martin as Agent 069, in Jess Franco's LA MUERTE SILBA UN BLUES.
You have to marvel at the 75 year length of actor Conrado San Martin's film career, with over 130 film roles. He had already been acting in Spanish films for over twenty years when he appeared in two significant Jess Franco films, GRITOS EN LA NOCHE (1962), as Inspector Tanner, and in Franco's stylish Europsy/Noir LA MUERTE SILBA UN BLUES/077-OPERATION SEXY (1964), as Agent 069/Jao.
He also appeared in other Europsy films (TARGET GOLDSEVEN ), as well as Spaghetti Westerns directed by Sergio Leone (ONCE UPON A TIME IN THE WEST; DUCK, YOU SUCKER) and others (IN A COLT'S SHADOW). He also appeared later in his career in Jose Ramon Larraz's US shot horror film, THE EDGE OF THE AX (1988) and the Spanish remake of VAMPYRES (2015). A reliable actor, certainly better known in Spain than in North America. He's especially effective as the persistent inspector in GRITOS EN LA NOCHE and the manipulative villain in Sergio Leone's peplum spectacular THE COLOSSUS OF RHODES (1961).
(C) Robert Monell, 2019
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