29 September, 2012
27 September, 2012
Herbert Lom (1917-2012) RIP
Herbert Lom (1917-2012) Excellent character actor who appeared in Jess Franco's 99 WOMEN and EL CONDE DRACULA is dead at 95.
COUNT DRACULA (1970) Christopher Lee vs. Herbert Lom
www.youtube.com
Another little scene from Jess Franco's low budget adaptation of Bram Stoker's Dracula. In this scene
18 September, 2012
Poison Ivy (La Môme vert-de-gris, 1953)
Jess Franco's first film work was as the Spanish dubbing director for this Eddie Constantine film, the first in which the actor appeared as Lemmy Caution. The success of this film in France would translate into a series of Constantine-Caution films which includes Jean-Luc Godard's science fiction-noir ALPHAVILLE (1965).
Of course, Constantine would also appear in Franco's spy thrillers CARTES SUR TABLE and RESEDENCIA PARA ESPIAS (both 1966). The Peter Cheyney novel on which this was based was the first publication of the famous Serie Noire. Future Franco icon Howard Vernon also appears in this film which I would very much like to see. A final thought: the most recently completed Jess Franco film is also a kind of film noir featuring another hard boiled investigator, Al Pereira, a character also played by Constantine, Howard Vernon, Jess Franco and Antonio Mayans. If anyone has a copy of :LA MOME VERT DE GRIS please contact me. Thanks.
Poison Ivy (La Môme vert-de-gris, 1953)
07 September, 2012
COMMANDO MENGELE aka Angel of Death (1986) Andrea Bianchi: Video of The Raid
Jess Franco prepared to direct an earlier version of this film in 1985 but it didn't work out. But "David Khunne" is credited with the story of this1986 Eurocine production. Good, sick fun!
01 September, 2012
BRUTAL NIGHTS OF LINDA aka SAVAGE GIRLS
Thanks to Francesco Cesari EUROCINE. Copy and Image by EUROCINE. I have to print it 2X!
[Visit]http://www.eurocine.net ]
SAVAGE GIRLS Starring Lina Romay, Pierre Taylou, Monica Swinn, Tanya Lambert Directed by Jess Franco Screenplay by Jean Querut Director of photography Ray Hale Music by Ian Wira and Charles Gordanne Production Belfilm / Eurociné. Alone on a cliff stands the forbidding house of the Vanbeck family --Vanbeck, Eugenia, his daughter, Lucia, his niece and Igor, a young peasant servant. Feeling the need to improve two girl's education Vanbeck hires a governess, a young French woman, Emmanuelle. Emmanuelle senses the strange atmosphere of the house and its troubled master. She spends many sleepless nights hearing strange footsteps and erotic, passionate sighs. She the uncovers the love affair between Igor and Lucia, which is upsets Eugenia and Vanbeck. SAVAGE GIRLS Starring Lina Romay, Pierre Taylou, Monica Swinn, Tanya Lambert Directed by Jess Franco Screenplay by Jean Querut Director of photography Ray Hale Music by Ian Wira and Charles Gordanne Production Belfilm / Eurociné. Alone on a cliff stands the forbidding house of the Vanbeck family --Vanbeck, Eugenia, his daughter, Lucia, his niece and Igor, a young peasant servant. Feeling the need to improve two girl's education Vanbeck hires a governess, a young French woman, Emmanuelle. Emmanuelle senses the strange atmosphere of the house and its troubled master. She spends many sleepless nights hearing strange footsteps and erotic, passionate sighs. She the uncovers the love affair between Igor and Lucia, which is upsets Eugenia and Vanbeck.
SAVAGE GIRLS Starring Lina Romay, Pierre Taylou, Monica Swinn, Tanya Lambert Directed by Jess Franco Screenplay by Jean Querut Director of photography Ray Hale Music by Ian Wira and Charles Gordanne Production Belfilm / Eurociné. Alone on a cliff stands the forbidding house of the Vanbeck family --Vanbeck, Eugenia, his daughter, Lucia, his niece and Igor, a young peasant servant. Feeling the need to improve two girl's education Vanbeck hires a governess, a young French woman, Emmanuelle. Emmanuelle senses the strange atmosphere of the house and its troubled master. She spends many sleepless nights hearing strange footsteps and erotic, passionate sighs. She the uncovers the love affair between Igor and Lucia, which is upsets Eugenia and Vanbeck. SAVAGE GIRLS Starring Lina Romay, Pierre Taylou, Monica Swinn, Tanya Lambert Directed by Jess Franco Screenplay by Jean Querut Director of photography Ray Hale Music by Ian Wira and Charles Gordanne Production Belfilm / Eurociné. Alone on a cliff stands the forbidding house of the Vanbeck family --Vanbeck, Eugenia, his daughter, Lucia, his niece and Igor, a young peasant servant. Feeling the need to improve two girl's education Vanbeck hires a governess, a young French woman, Emmanuelle. Emmanuelle senses the strange atmosphere of the house and its troubled master. She spends many sleepless nights hearing strange footsteps and erotic, passionate sighs. She the uncovers the love affair between Igor and Lucia, which is upsets Eugenia and Vanbeck.
30 August, 2012
COMMANDO MENGELE: The Raid Part 2
I once asked EUROCINE Producer Daniel Lesoeur who actually
directed this film and he promptly answered "Frank Drew White." This
wasn't directed by Jess Franco, who planned an earlier version [El
Hombre que Mato' a Mengele] in 1985, but the story is credited to "David
Khunne" and it's a fun, sick ride under the brisk, if impersonal,
direction of "A. Frank Drew White" [Andrea Bianchi, of course]... Makes
an interesting double bill with THE BOYS FROM BRAZIL!
For Part 1 go to:www.robertmonell.blogspot.com/
CINEMADROME:
23 August, 2012
Blu-ray covers and info...
21 August, 2012
18 August, 2012
Rare MANACOA FILES ed on Ebay!
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MANACOA FILES VOL 6 - JESS FRANCO - RARE UNEDITED EXTENDED INTERVIEWS
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MANACOA FILES VOL 6 - JESS FRANCO - RARE UNEDITED EXTENDED INTERVIEWS
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MIL SEXOS TIENE LA NOCHE on www.veehd.com in HQ OAR w Eng subtitles
Night of 1000 Sexes (1984) Mil sexos tiene la nochedivx nsfwJess Franco extreme mystery of a nightclub act mind reader and her suspicion about |
09 August, 2012
08 August, 2012
FRANCO KANNIBALEN! Re-evaluating DEVIL HUNTER (1980)
Jess Franco's SEXO CANIBAL/EL CANIBAL/JUNGFRAU UNTER KANNIBALEN/IL CACCIATORE DI UOMINI/THE MAN HUNTER/DEVIL HUNTER/MANDINGO MANHUNTER/CHASSEUR DE L'ENFER-HELL HUNTER poses some difficult questions beyond: Why is this movie so bad?!
The "Devil" or Cannibal or Zombie hunts for the hearts of women. Listed as "Burt Altman" (a zombie) in OBSESSION: THE FILMS OF JESS FRANCO, Jess Franco revealed on the Severin DVD interview that he was actually a Portuguese athlete. An official "Video Nasty" once upon a time in the UK, traditionally dumped into the bottom tier of the director's massive filmography, even the most rabid, least selective Francophiles tend to deem it one of his worst efforts. I initially ranked it even lower than WHITE CANNIBAL QUEEN/CANNIBALS/MONDO CANIBALE (also 1980).
Above: German Lobby Card.
After several decades of Jess Franco Watching I've discovered that vertical rankings when dealing with a filmography as complex and multi-tiered as this can be deceptive and counterproductive. DEVIL HUNTER was a Spanish, French (EUROCINE), German (LISA FILMS), Italian co production. The Italian lead actor in MONDO CANIBALE, Al Cliver (Pier Luigi Conti)was retained as another adventurer in search of a missing woman, this time an internationally known actress (Ursula Buchfellner) who has been kidnapped by a ruthless gang of criminals and taken to the tropical island of Puerto Santo
Lurid poster art for an admittedly lurid film.
Style usually trumps story in Franco's filmography but on first viewing there are few stylish or signature "Jess Franco" set-ups/images apparent here. The first time I saw this, on late 1980s era US VHS as MANDINGO MANHUNTER, the entire opening credits scene was covered over by anonymous credit cards (Directed by Clifford Brown; Music by Jesus Franco Manera [!]). The sound, of a woman crying out as she is tracked by cannibals through a swamp, remained. The restored Severin DVD did more than reveal the images in that sequence it allowed me to consider the film in a different context. I'll continue examining alternative ways to view this film in a series of blogs on Franco's cannibal output.
Above: German Lobby Card.
After several decades of Jess Franco Watching I've discovered that vertical rankings when dealing with a filmography as complex and multi-tiered as this can be deceptive and counterproductive. DEVIL HUNTER was a Spanish, French (EUROCINE), German (LISA FILMS), Italian co production. The Italian lead actor in MONDO CANIBALE, Al Cliver (Pier Luigi Conti)was retained as another adventurer in search of a missing woman, this time an internationally known actress (Ursula Buchfellner) who has been kidnapped by a ruthless gang of criminals and taken to the tropical island of Puerto Santo
Lurid poster art for an admittedly lurid film.
Style usually trumps story in Franco's filmography but on first viewing there are few stylish or signature "Jess Franco" set-ups/images apparent here. The first time I saw this, on late 1980s era US VHS as MANDINGO MANHUNTER, the entire opening credits scene was covered over by anonymous credit cards (Directed by Clifford Brown; Music by Jesus Franco Manera [!]). The sound, of a woman crying out as she is tracked by cannibals through a swamp, remained. The restored Severin DVD did more than reveal the images in that sequence it allowed me to consider the film in a different context. I'll continue examining alternative ways to view this film in a series of blogs on Franco's cannibal output.
31 July, 2012
27 July, 2012
AL PEREIRA VS. THE ALLIGATOR WOMEN (2012) Jess Franco
CINEMADROME - THE WORLD OF JESS FRANCO FORUM - AL PEREIRA VS. THE ALLIGATOR LADIES (2012) Jess Franco
Antonio Mayans and Jess Franco (at far left) on the set of their new film collaboration. Thanks to Alex Mendibil.
Antonio Mayans and Jess Franco (at far left) on the set of their new film collaboration. Thanks to Alex Mendibil.
24 July, 2012
los violadores del amanecer cine kinki Ignacio F. Iquino 1978
A Cathoic Noir by Ignacio Iquino which incorpoates rape, murder and street crime into a CLOCKWORK ORANGE scenario. Very disturbing...
22 July, 2012
THE FREEDOM GAME (1973)
THE FREEDOM GAME (1973): Directed by Jess Franco. Screenplay by Robert Woods. Producer: Harry Alan Towers. Cast: Robert Woods. Filming location: Canary Islands.
Here's another never-filmed Jess Franco project brought to my attention by Robert Woods, who wrote this Western for producer Towers. Jess was going to direct in the Canary Islands with Robert (a veteran of numerous Spaghetti Westerns) in the lead.. Robert and Jess went to the Canaries from Madiera, after shooting the two MACISTE films together there, to scout locations. But the money never came through from Towers and this Jess Franco Eurowestern never happened.
Franco came close to the western genre with EL LLANERO (1963) and Les Chatouilleuses (1974) but never quite got around to making one. Thanks to Robert Woods.
Image: Roquenublo Gran Canarias
20 July, 2012
FEMALE VAMPIRE (1973) EXORCISM (1974): COMING ON BLU-RAY from REDEMPTION October!
NOTE: The above clip is not from the actual coming Blu-ray which will have HD image quality. 2 bonus versions, EROTIKILL (the shorter horror alternate and a 104 "Erotic" version), of LA COMTESSE NOIRE are reportedly going to be available along with the uncut version with English and French tracks w/ English subtitles. Other bonus materials will be included. EXORCISM reportedly will also have the French track, which features Jess Franco's actual voice. Thanks to Bruce Holecheck for publishing these links on The Latarnia Forums' THE FRANCO LOUNGE.
Exorcism:DVD: http://www.amazon.com/gp/product/B008N2Z1B0/ref=as_li_ss_tl?ie=UTF8&tag=cinema09-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B008N2Z1B0
Blu: http://www.amazon.com/gp/product/B008N2Z1GA/ref=as_li_ss_tl?ie=UTF8&tag=cinema09-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B008N2Z1GA
The Female Vampire:DVD: http://www.amazon.com/gp/product/B008N2Z16A/ref=as_li_ss_tl?ie=UTF8&tag=cinema09-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B008N2Z16A
Blu: http://www.amazon.com/gp/product/B008N2Z1JC/ref=as_li_ss_tl?ie=UTF8&tag=cinema09-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B008N2Z1JC
http://www.blu-ray.com/news/Blu: http://www.amazon.com/gp/product/B008N2Z1GA/ref=as_li_ss_tl?ie=UTF8&tag=cinema09-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B008N2Z1GA
The Female Vampire:DVD: http://www.amazon.com/gp/product/B008N2Z16A/ref=as_li_ss_tl?ie=UTF8&tag=cinema09-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B008N2Z16A
Blu: http://www.amazon.com/gp/product/B008N2Z1JC/ref=as_li_ss_tl?ie=UTF8&tag=cinema09-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B008N2Z1JC
18 July, 2012
16 July, 2012
Jess Franco at rest after completing two new films!
Thanks to Alex Mendibil for this image of Jess Franco taken yesterday just after our favorite auteur completed two new feature film adventures of his favorite PI, Al Pereira. Antonio Mayans once again plays the beleaguered investigator. According to Alex one of the films is in the Erotic genre, while the other is more or less straight up... Also coming is a new Jess Franco documentary which Alex and Ferran Herranz are presently involved in producing!
06 July, 2012
LA CINEMATHEQUE FRANCAISE: HOMMAGE TO LINA ROMAY
04 July, 2012
La Chica de las bragas transparentes / PICK-UP GIRLS (1980)
A Luz Internacional Films S.A. Production
Filmed in the Canary Islands
Al Crosby (Antonio Mayans, here credited as "Robert Foster") is a sleazy private eye (cf Franco's Al Pereira) who is hired by a hood to meet up with another hood but ends up getting involved with two stripper-hookers (Lina Romay and Doris Regina) who take compromising photos of him. Rosa Valenty, playing the sex change Robert Bressac, who keeps his/her member in a jar for nostalgia sake, enters the muddy picture, getting Al further involved with blackmail, murder, political corruption and more. It's a lot of fun for the audience, but not for the PI.
A loose remake of the director's 1972 LES EBRANLEES, a Robert De Nesle produced sexy mystery in which Howard Vernon played the sleazy PI Al Pereia, this one of the director's 1980s Classificada S films which features a familiar Pablo Villa (Franco and Daniel J. White) hot jazz score. It's a toss up if this is more explicit than the 72 film but times have changed as it relates a twisting tale of white slavery, personal corruption and sexual identity. It's really about audience expectations and how Franco approaches the Spanish Adult film market which was a good decade behind the French market. Just look at the very first image: a small panel opens within a door to a secret casino/bar/strip club. We see the framed face (and he will indeed be framed) of Al reciting the pass code. He's facing the camera, the viewer, the focal plane, looking into what should be the "fourth wall." In effect he's asking our permission to enter our space, our consciousness. Entering the club, which features tropical plants and tree branches amid lounge furniture against a black background, it appears we are in an interior which wants to be an exterior , much like the plot which is reluctant to clarify, proceed or reveal character's intentions. This offers a more shifting, interactive matrix than the 1972 film. The opening set-up already places us in the casino interior, we become implicated in the "plot," part of the lie, part of the deception. The dancing girls are placed so it's not clear if they are really there or mirror reflections. Spatial integrity is immediately subverted. Somehow we feel involved in something more than just another sexy thriller. It's not just about the fate of Al Crosby. It's also about our position as the prejudiced, awaiting audience, after all.
The English dub PICK-UP GIRLS deploys "Americanisms" and a New Jersey Gangster delivery while attempting to mask the Canary Island settings with references to the US. But it's obviously not the States. It's an 1980s approximation of Film Noir with lurid colors and full nudity in a tropical surreality. Mayans looks the part with his off-the-rack wardrobe, burnt-out demeanor and regulation mustache while Rosa Valenty conveys a magnificently bitchy mystique as the sex change, the girl with the not-so-transparent sexual identity.
The English language version is missing about 5 minutes of (sexual?) footage according to the review in OBSESSION. THE FILMS OF JESS FRANCO.
(C) Robert Monell - 2012
The English language version is missing about 5 minutes of (sexual?) footage according to the review in OBSESSION. THE FILMS OF JESS FRANCO.
(C) Robert Monell - 2012
28 June, 2012
16 June, 2012
Coming on Blu-ray
Celestine [THANKS TO SIN-ART]
| Tris par : Titre - Genre - Zone - Prix - Délai de livraison |
| DVD PAL Zone 2 | |||||||||||||||||||||||||||||
| BLURAY Zone B | |||||||||||||||||||||||||||||
| BLURAY Zone B | |||||||||||||||||||||||||||||
| DVD PAL Zone 2 | |||||||||||||||||||||||||||||
05 June, 2012
LE COMTESSE PERVERSE: A Jess Franco & Mondo Macabro Masterpiece
Leaving on the cutting room floor the humorous wraparound, which Robert De Nesle forced the director to shoot for a re release a year after the film was made, the film now opens and ends with rhyming images of optically enhanced voyeurism, visual quotation marks: now the very first image presents Bob (Robert Woods) peering through binoculars toward the coast in search of female prey to bring to the decadents whom employ him. The very last image is a close up of Count Zaroff (Howard Vernon) looking intently through his expensive designer glasses at his next meal, his dead wife. From the camera angle in both cases we get the uncomfortable sense that these gazes are also taking the viewer into their field, implicating us in the cycle of cannibal desire and breaking the traditional "fourth wall" of cinema. Earlier versions obscured this effect by having it brush up against "comedy" scenes and letting us off the hook. Franco didn't want to do that. He never does. He wanted to consider our expectations and responsibilities as viewers of exploitation cinema. Now his original agenda speaks for itself. That's just one of numerous examples how this presentation gives us new meanings and ways to watch and enjoy the film.
Then there's the sophisticated dialogue, spiked with gallows humor and subtle irony which the new translation ably and finally captures. Fan subbed variants and cult movie mail order subtitles of the past, and I've seen them all, will now be history. And rightfully so. As Count Zaroff says, "Reject nothing that gives pleasure." A line which neatly encapsulates the Sadean undercurrent of the proceedings. Shortly after the Count considers the prone figure of Silvia (Lina Romay), who has just passed out in terror after witnessing the Zaroff's attempted mutilation of a recent victim, and exclaims "She's dim, but she's certainly juicy!" in joyous anticipation of a coming cannibal feast. It's a lol line.
I'm really glad all the hardcore is gone, the stuff added by Franco and others (avoid the Italian SEXY NATURE version like the plague!) as well as the soft core doubling. Franco's original has all the eroticism, transgression and nudity it needs. There's surprisingly little actual blood and gore on display, unlike the disgusting slow motion gut chomping of Franco's later CANNIBALS and SEXO CANIBAL (both 1980). It's not missed. The cannibalism here tilts toward the metaphorical rather than literal.
Given how the original version comments on class inequity and how the owning class uses the middle class (Bob and Moira) to use up/devour/exploit/eat the underclass, Franco's vision is more relevant than ever. It doesn't preach its theme but gives it a gentle, droll nudge here and there. So, thank you Jess Franco and thank you Mondo Macabro for finally giving us the masterpiece Jess Franco made almost 40 years ago.
Thanks to Eric Cotenas.
Thanks to Eric Cotenas.
(C) Robert Monell 2012
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