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22 June, 2010

MIRRORS: LA CASA DE LAS MUJERES PERDIDAS


Thanks to firirinabe for this screencap from Jess Franco's ultra rare 1982 melodrama LA CASA DE LAS MUJERES PERDIDAS. It once again illustrates the director's strategic deployment of mirrors as a way of opening out a film into three or more dimensions and evidences his use of a cubist style as a way of representing a complex character matrix.

Go to http://www.cinemadrome.yuku.com for more images and a brief review.

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