Since I originally wrote this review I have ascertained that the Carloto Perla credited as a singer on the music credit is actually Jess Franco in full voodoo mode.
I should also be noted that this film is now available on Blu-ray, along with the Eurocine cannibal epic CANNIBAL TERROR, with the English and Spanish language tracks available. Onscreen title EL CANIBAL.
Credited to "Clifford Brown" this German, Spanish, French and Italian coproduction features Al Cliver [Pier luigi Conti], most familiar from Fulci's ZOMBIE, as a mercenary hired to bring back a starlet [Ursula Buchfellner] who has is being held for ransom on a tropical island. The only interesting performances are given by the intense, late Werner Pochath and Antonio de Cabo as nasty and increasingly frantic criminals. Conti/Cliver looks as bored as usual while German starlet Buchfellner looks almost anorexic and spends most of her screentime tied up nude to a tree getting abused by the criminals and a giant black cannibal. Watching Europeans like Claude Boisson as the cannibal chief is a real hoot and the film in unconvincing in just about every department. Note the equipment and details in the film producer's office; everything in this film looks cheap/bogus. But it's Franco all the way in terms of out-of-focus shots both from the marauding cannibls POV and other images, mismatched filmstock (the film was reportedly begun by BLIND DEAD auteur Amando De Ossorio), and editing between events which looks like it was meant to mean something (the paparazzi and the fashion show are intercut with the jungle pursuit of another nude female victim who is later tied to a tree, gutted and disgustingly cannibalized). Totally incomptent on the FX level, the cannibal is shown chewing on bloody meat scraps in extreme closeup, this will give no competition to the other Euro cannibal films of that era (cf CANNIBAL HOLOCAUST). It's pure exploitation for very desperate audiences. There is an interesting primitivist score by Franco himself (and Daniel J. White) with a delirious male vocal by Carloto Perla, heard in other 1980s Franco films. The stalking bug-eye giant nude cannibl has to be one of the most blatantly racist images in the history of horror cinema or a tip to the zombie in I WALKED WITH A ZOMBIE or both.
The Video Asia DVD of this, coupled with Manuel Cano's VOODOO BLACK EXORCIST (1972), is possibly the worst digital presentation of a Franco film yet. The opening credits are removed and the film starts in the middle of the first scene. There is digital censoring of the copious male and female nudity of the original, some extreme gore is cut and the bottom third of the image is masked presumbly to hide the presence of Japanese subtitles, video quality is significantly inferior to the more complete old TRANSAMERICA VHS: THE MAN HUNTER. I believe that this was indeed sourced from a Japanese video or disc and booted over here. The somewhat racist cover artwork reads TERROR TALES FROM THE HOOD: SPECIAL EDITION VOLUME 4. BLACK VOODOO EXORCIST (sic) plus THE GRUESOME SHOCK OF: THE DEVIL HUNTER A 170s style Afro coiffured feamle poses in a collage with a black glowing eyed gravedigger, green hands emerging from graves holding cigarettes [!], etc. The back features more dated jungle nonsense wigh some stills and amusing promo notes {"the long banned masterpiece...[!]"}. But for under 10 dollars it may be an outre collector's item for some. (C) Robert Monell 2006 ALL RIGHTS RESERVED
