GEMIDOS DE PLACER: [Spanish DVD]
A female predator (Rocio Freixas) moves toward a fateful encounter in Jess Franco's GEMIDOS DE PLACER (1982), a remake of PLAISIR A TROIS (1973), credited as "based on the writings by the Marquis de Sade." The impressive villa where the action is set was owned by the film's producer, Golden Films Internacional S.A. founder/CEO, Emilio Larraga.
Franco has said there are approximately 20 shots in this film, but I have counted over 30 at various times based on my viewings of the old Caliente Video from Million Dollar Video Corporation (cropped at 1.33:1) Spanish language VHS and this 2006 Spanish DVD. This DVD version is part of the CINE EROTICO ESPANOL series- CLASIFICADA "S", licensed from VIDEO MERCURY FILMS S.A., Formato 4:3 [non-anamorphic, and it shows]; Mono; Multizona "0"; DVD5; aprox. 83 min. Genero: Erotica; Boutique Multimedia S.l. Grupo Edider 88, S.L. there's even a Madrid ground mail, and this web address www.internacionaldersa88.com
"REMASTERIZADA DIGITALMENTE CALIDAD"
"Una presumible orgia con un desenlace soprendenta" [or, as I said to Jess when we first met: "Lo siento, no hablo Espanol"]
Back copy: [Un liberal matrimonio quieren probar a realizar un trio sexual con una amiga de ambos. Pero en relaidad la utilizan para matarse el uno al otro con argucias y todo tipo de artimanas. El desenlace es sorpendente."]
Anyone who has seen it knows it's a great film, one of Franco's most personal and experimental works. It unfolds in flashback, narrated by mentally challenged guitar player, Fenul (DP Juan Soler Cozar, dubbed by Jess Franco himself]. The extended takes suggest a link to Hitchcock's ROPE, also a story of murderers and their victim. The opening take, zooming slowly back from a yacht in Alicante Bay to pan over the villa, its swimming pool and a floating dead body (cf SUNSET BOULEVARD), is a tour de force. A tale told by an idiot signifying the corruption of its four main characters, two of whom will die in paroxysms of sexual violence during the course of the film.
This opening immediately recalls the stunning plan sequence which opens Orson Welles' noir masterpiece TOUCH OF EVIL. The constantly probing camera here is as much of a character as the occupants of the villa. Like Hitchcock and Welles, the director wants to make us complicit in the following action, which is a study in casual amorality. The camera is always a voyeur in any film, but Franco takes this concept to its absolute limit here. With very little dialogue and an overwhelmingly toxic ambiance, offset by Fenull's wandering guitar improvisations, the film becomes a kind of Sadean daydream ending in death, decay and a silent scream recorded from a final God's-eye camera angle. As the mesmerizing instigator of the increasingly complex erotic games, Rocio Freixas emanates an powerful ambiguity which immerses the proceedings with a slow burning sense of danger. At any given moment she seems capable of anything and appears to exert a kind of mental control over the participants.
Still, it looks very good compared to the DVD-R's and videos going around, it's acceptable, but not ideal, and, of course, there are no English options of any kind.
So, let's see if there's any interest in a new anamorphic 2.35:1 OAR R1 release w/English subtitles available.
I wish for a new, HD transfer of this. That's why I keep bringing it up here.
Thanks to Francesco Cesari for sending this DVD and the screenshot.
(C) Robert Monell, 2008-2016 [Updated]
I can't narrow mine down to just one. But Jean Bernard Raiteux's Trafic Pop Logere would be high on the list, including a lot of cues heard in LES DEMONS (1972). Also AMBIENZA ACOUSTICA, containing many Daniel White-Jess Franco/Pablo Villa cues from his later 1970s and 80s period.
6 comments: